"Clearly, baroque is
fantastic,"
Gregg Lambert
said.
He did not fully understand this expression before the project "Thinking
Baroque"
took place.
We can understand and interpret the baroque in two general ways: rationally, as a historical
period, and consider its formal aspects: the
chronological margins
are defined and the
masters are recognized, the principles of composition and characteristic
elements are
described and preserved with poetized society and spirit of that time. Alternatively, we can feel the
Baroque as a
transitional phenomenon,
which can
occur at any time,
and which brings all matters to its maximum: the skill, the science, the emotion, the illusion, the violence. As one of the
participating artists, Miguel Rodrigues, notably remarked, we are actually approaching
a hyper baroque era; we can witness it, it is in the abundance of information,
possibilities and technologies, in the full
blossom and full acceptance
of any ugliness and of any beauty. His
installation,
specifically made for "Thinking
Baroque", is an assemblage of plumbing tubes and bent
plastic: it shines with gold, it attracts
with the softness of rich red velvet. Isn’t this a sublime of modernity?
This
is an excerpt from
the text of
the catalog by:
Madina Zingashina, curator of the project ART-MAP Braga 2017
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