Sunday, September 10, 2023

On sale at P55 – The Art Platform - ID 12808743

 


On sale at P55 – The Art Platform - ID 12808743
Manuel Pereira da Silva (1920-2003)
Ballpoint pen on paper
Signed and dated 1978
Dim.: 50 cm x 65 cm


Monday, September 04, 2023

P55 – The Art Platform - ID 12772662

 


P55 – The Art Platform - ID 12772662
Manuel Pereira da Silva (1920-2003)
Ballpoint on paper
Signed and dated 1978
Dim.: 50 cm x 65 cm


Sunday, August 27, 2023

P55 – The Art Platform - ID 12710860

 


P55 – The Art Platform - ID 12710860
Manuel Pereira da Silva (1920-2003)
Ballpoint pen on paper
Signed and dated 1977
Dim.: 50 cm x 65 cm


Tuesday, August 15, 2023

P55 – The Art Platform - ID 12531221

 


P55 – The Art Platform - ID 12531221
Manuel Pereira da Silva (1920-2003)
Ballpoint pen on paper
Signed and dated 1978
Dim.: 50 cm x 65 cm


Friday, July 21, 2023

P55 – The Art Platform - ID 12419412

 


P55 – The Art Platform - ID 12419412
Manuel Pereira da Silva (1920-2003)
Ballpoint pen on paper
Signed and dated 1978
Dim.: 50 cm x 65 cm


Saturday, July 15, 2023

P55.Art – The Art Platform – ID 12355104

 


P55.Art – The Art Platform – ID 12355104
Manuel Pereira da Silva (1920-2003)
Ballpoint pen on paper
Signed and dated 1992
Dim.: 21 cm x 30 cm


Monday, July 10, 2023

P55.Art – The Art Platform – ID 12319137

 


P55.Art – The Art Platform – ID 12319137
Manuel Pereira da Silva (1920-2003)
Ballpoint pen on paper
1994
Dim.: 21 cm x 30 cm


Saturday, July 01, 2023

P55.Art – The Art Platform – ID 12227948

 


P55.Art – The Art Platform – ID 12227948
Manuel Pereira da Silva (1920-2003)
Ballpoint pen on paper
1986
Dim.: 21 cm x 30 cm


Thursday, June 29, 2023

P55.Art – The Art Platform – ID 12153169

 


P55.Art – The Art Platform – ID 12153169
Manuel Pereira da Silva (1920-2003)
Ballpoint pen on paper
Signed and dated 1989
Dim.: 21 cm x 30 cm


Thursday, June 08, 2023

How describes Open AI GPT Chat Manuel Pereira da Silva

 

Manuel Pereira da Silva work is characterized by an abstract formal orientation inspired by the human figure, mainly men and women. The artist explored two distinct orientations in his aesthetic purposes. The first includes pieces conceived in the academic tradition of the European 19th century, usually in response to specific commissions. The second category of works maintains the human figure as an essential reference, but distances itself from naturalistic representation, adopting formal criteria of abstraction. This abstract approach was one of the ways in which modernism reached pure abstraction, where forms do not evidence or do not have a real figurative referent.

Manuel Pereira da Silva was one of the pioneers of sculptural abstractionism in Portugal. His modernist work emerged in the early years of this movement in the country. He was part of the "independent" exhibitions, which played a key role in disseminating Portuguese abstract art. Through these exhibitions, Manuel Pereira da Silva and other artists such as Júlio Resende, Fernando Fernandes, Nadir Afonso, Arlindo Rocha and Mário Truta, among others, sought to break with established conventions and explore new forms of artistic expression.

In addition, Manuel Pereira da Silva work also extended to other areas, such as mural decoration and the integration of sculpture into buildings. He collaborated with architects, such as Carlos Neves, in the creation of murals and decorations in several cities, including Porto and the African territories colonized by Portugal. His works reflected the influences of the modern movement, which sought a more complete integration between architecture, art and design.

In the social context, Manuel Pereira da Silva was also an active and generous intervenor. He held important positions in the community, such as President of the City Council of Avintes, and contributed with his artistic work to various associations and civic movements in Avintes and nearby regions. His performance was recognized with honors, such as the Medal of Honor of the City Assembly of Avintes and the Gold Medal of Cultural Merit of the Municipality of Vila Nova de Gaia.

In summary, the work of Manuel Pereira da Silva represents a fusion between abstraction and human figuration, exploring geometric shapes and abstract formal criteria. His work was influenced by the artistic vanguards of the time and contributed to artistic renewal in Portugal. In addition, his role as a social worker demonstrates his commitment to the community and his generosity in sharing his artistic talent for the collective benefit.