Art Auction

Palácio do Correio Velho Art Auction House, sold four compositions with Mixed Media, a Gouache composition and a Charcoal composition of the Sculptor Manuel Pereira da Silva in the Contemporary Painting Auction.

Contemporary Painting Auction

The Sculptor Manuel Pereira da Silva was represented on the Auction of Modern and Contemporary Art, held at Palácio do Correio Velho, with an oil painting on canvas, two Mixed Media compositions and a Watercolour composition.

Three sculptors with value

The publication of this literary work is biographical and critical and is related to three sculptors from Avintes, Portugal, named António de Sá Fernandes, Henrique Moreira and Manuel Pereira da Silva - three glories of our land.

Julio Pomar - Abstract Expressionism

Born in 1926 in Lisbon, and set up in Paris in 1963. Currently lives and works in Paris and Lisbon. Attended the School of Decorative Arts Antonio Arroio and the Schools of Fine Arts of Lisbon and Porto, in 1942 and participated in a first group in Lisbon, and made the first solo exhibition in 1947, in Porto. Devoted himself particularly to painting, but his work also includes works of drawing, engraving, sculpture and "assemblage, illustration, ceramics, tapestries and scenery for theatre.

Has, also, works of decorative tile mural for the station in the Windmill High Lisbon Metropolitan, (1983-84), the Circus of Brasilia (Gran'Circolar, 1987), the Station of the Metro Jardin Botanique in Brussels (1992) the Court of Moita (“Justice of Solomon ', 1993) and the train station of Corroios (1998). Participated in the Biennale de São Paulo, 1953, and also in the editions of 1975 and 1985. The Gulbenkian Foundation in 1978 organized the first retrospective of his work, which was exhibited in Lisbon, Porto and Brussels. In 1986, a new retrospective exhibition was presented by the museums of the Gulbenkian Foundation in São Paulo, Rio de Janeiro and Brasilia and also at its headquarters in Lisbon.

Camões, 1988

Other exhibitions anthology of thematic scope took place in 1990, works with themes of Brazil, in Rio de Janeiro, Sao Paulo and Lisbon, in 1991, with paintings and drawings on literary subjects and portraits of writers (Pomar et la Literature), in Charleroi, Belgium

Edgar Poe, Fernando Pessoa e o Corvo, 1985

in 1997 with work on the theme of D. Quixote, in Cascais, and paintings on the Indians of Brazil, in Biarritz, France. Other anthologies of paintings were presented in 1999 and 2000 in Macau and Beijing, in 2001, in Aveiro (Recent Paintings), and in 2003 in Istanbul. Published in 2002, the volume of tests "and then painting?" And in 2003 the poem "TRATAdoDITOeFeito. Exhibited new paintings (Méridiennes - Meres indienne), in 2004, Patrice Trigano Gallery, Paris, and the Sintra Museum of Modern Art - Berardo Collection presented a retrospective of his work organized by Marcelin Pleynet under the title "Autobiography", where out the first part of a series of sculptures in bronze. Also in 2004, the CCB has set out an anthology of recent works entitled 'Human Comedy'. The first two volumes of the catalogue "raisonné 'of works of painting, sculpture and assemblages of iron were published in 2001 and 2004, the Éditions de la Difference, Paris.

Gadanheiro, 1945

Orchard has become a strong opponent to the fascist regime. Joined the Movement of Democratic Unity (MUD) and participated in student fights, which cost him the expulsion of ESBAP. The political activism is also reflected in his work. In painting, in works such as The Gadanheiro, exposed in 1945 the National Society of Fine Arts, the texts published in newspapers, which advocated a neo-realist aesthetic, and the promotion of the 1st Exhibition of the spring Ateneu Comercial do Porto in 1946.

Almoço do trolha, 1946

In 1947 organized the 1st solo exhibition of drawings, in Porto. However, the mural that runs the Cinema Batalha was ruined by the PIDE.

Cegos de Madrid, 1957

Soon after leaving the port, returning to the capital. There was jailed for four months and saw your picture in the Resistance be confiscated II General Exhibition of Plastic Arts of the National Society of Fine Arts in 1947.

Maria da Fonte, 1957

Fernando Lanhas changed the art scene at the end of the 2nd War

Fernando Lanhas, (born Oporto, 16 September 1923) is a Portuguese painter and architect. He studied architecture but became known as the leading name in Portuguese abstract painting. He started painting in 1944, influenced by music, astronomy, and the international abstract movement. Since then, he's been one of the most innovative and original Portuguese painters.




In the years spent in Oporto School of Fine Arts was a student attentive and engaged. In this institution addressed the Group of Students of Fine Arts. Had Colleagues such as Nadir Afonso, Manuel Pereira da Silva and Julio Pomar, with whom talked about art. He began painting figurative paintings, which quickly turned into abstract works. Involved in the organization of the Independents Exhibition, in 1944, and collaborated on the page "Art" of the daily newspaper of Oporto, "The Afternoon" in 1945. Shortly travelled to Paris, where he visited and enjoyed the Art of major events such as Sallon des Réalité Nouvelles, in 1947.

In the field of the drawing, he is in the large family of modern design, combining the ability to express the virtuosity of form.
Pure Design, in search of an asceticism which always renders, the drawing as a mean and end in itself.
Stripped of any accessory, its design leads us through a firm registration, but with a ductility open to higher sensitivities. The fascination leads us to believe that the design is where does not exist!




His called abstract painting, reduced to a few colours and minimal shapes, carries the same fascination and meditation on the same scales of time and space that Fernando Lanhas. research in the scientific field. Some canvas came from graphic compositions, other, denser and unexplained, more metaphysical then geometric, pursuing the movement of natural forces and forms, the dimensions of the cosmos. Sometimes symbolic representations cease guess: sun, tree, bird.


His involvement with the Independents Exhibition, who changed the art scene at the end of the 2nd War, promoting the debate on the abstraction along with the first neo-realistic statements. At 45, working with J. Lanham Pomar and V. Palla in the organization of the page 'Art' of the daily 'The Afternoon', of Oporto (which is itself listed in the catalogues of 49-50), where the future Surrealists Cesariny, Oom and Vespeira also defended the 'useful arts'. Lanhas then publishes studies for Drums (Old with Handkerchief) and Old White, which forms the set of paintings, is now exposed. Later works are abstractions and provide the first evidence of the ambitions of the painter and the debate about the social implications of art, which is represented by The Artist Abstract (only shown in photo) and Catherine (The Magnificent ugliness) of 46; Lanhas visit Paris on 47 and returns to abstractionism.

Honorary member of the National Academy of Fine Arts, a man of rare culture, has acknowledged taking a journey of original demand of rationality in art. In a time of tension in encysted cultural crisis of the subject, has been able to understand it as a learning experience for the integration of man in the world, the inevitable game of ephemeral passions and affections.

Arlindo Rocha, a pioneer of the abstract sculpture in Portugal

Arlindo Rocha and Manuel Pereira da Silva.

Arlindo Rocha, 1921 - 1999
Graduated in sculpture at the School of Fine Arts of Porto, in 1945.
In 1953 he obtained a scholarship from the Institute of High Culture, for Italy, and in 1959, a fellowship of BCG to Egypt and Greece and visits the major museums of Europe.
Was a member of the Oporto Group "Independents" (years 40).
Was awarded a silver medal at the Universal Exhibition in Brussels (1958).
Has works in public places - schools, palaces of justice, gardens, etc. Egg in Setúbal, Oporto and Viseu.

Oporto Bishop.

Arlindo Rocha is considered a pioneer of abstract sculpture in Portugal, among with Manuel Pereira da Silva, Jorge Vieira, and Fernando Fernandes in the emancipation movement of the sculpture from his vocation statuary. The pieces "Woman and Tree" in 1948 and "Science" of 1961, this one was radical abstract, are milestones in Portuguese sculpture of the last century.
His work tended to be geometric inevitably absolute. However, in recent years returned to a hard Figurative, with orders to local authorities.

Setúbal: The Poetry, The Sea and The Earth.

The abstraction, true the School of Paris, in two parts, sometimes more geometric and in other moments more lyrical. The most relevant national figures were: Maria Helena Vieira da Silva, exponent of the "Ecole de Paris", and here, in Portugal, Fernando Lanhas, Nadir Afonso, Manuel Pereira da Silva and Arlindo Rocha.