On sale at P55 – The Art Platform - ID 12808743

 

On sale at P55 – The Art Platform - ID 12808743

Manuel Pereira da Silva (1920-2003)

Ballpoint pen on paper

Signed and dated 1978

Dim.: 50 cm x 65 cm

P55 – The Art Platform - ID 12772662

 

P55 – The Art Platform - ID 12772662

Manuel Pereira da Silva (1920-2003)

Ballpoint on paper

Signed and dated 1978

Dim.: 50 cm x 65 cm

P55 – The Art Platform - ID 12710860

 

P55 – The Art Platform - ID 12710860

Manuel Pereira da Silva (1920-2003)

Ballpoint pen on paper

Signed and dated 1977

Dim.: 50 cm x 65 cm

P55 – The Art Platform - ID 12531221

 

P55 – The Art Platform - ID 12531221

Manuel Pereira da Silva (1920-2003)

Ballpoint pen on paper

Signed and dated 1978

Dim.: 50 cm x 65 cm

P55 – The Art Platform - ID 12419412

 

P55 – The Art Platform - ID 12419412

Manuel Pereira da Silva (1920-2003)

Ballpoint pen on paper

Signed and dated 1978

Dim.: 50 cm x 65 cm

P55.Art – The Art Platform – ID 12355104

 

P55.Art – The Art Platform – ID 12355104

Manuel Pereira da Silva (1920-2003)

Ballpoint pen on paper

Signed and dated 1992

Dim.: 21 cm x 30 cm

P55.Art – The Art Platform – ID 12319137

 

P55.Art – The Art Platform – ID 12319137

Manuel Pereira da Silva (1920-2003)

Ballpoint pen on paper

1994

Dim.: 21 cm x 30 cm

P55.Art – The Art Platform – ID 12227948

 

P55.Art – The Art Platform – ID 12227948

Manuel Pereira da Silva (1920-2003)

Ballpoint pen on paper

1986

Dim.: 21 cm x 30 cm

P55.Art – The Art Platform – ID 12153169

 

P55.Art – The Art Platform – ID 12153169

Manuel Pereira da Silva (1920-2003)

Ballpoint pen on paper

Signed and dated 1989

Dim.: 21 cm x 30 cm

How describes Open AI GPT Chat Manuel Pereira da Silva

 

Manuel Pereira da Silva work is characterized by an abstract formal orientation inspired by the human figure, mainly men and women. The artist explored two distinct orientations in his aesthetic purposes. The first includes pieces conceived in the academic tradition of the European 19th century, usually in response to specific commissions. The second category of works maintains the human figure as an essential reference, but distances itself from naturalistic representation, adopting formal criteria of abstraction. This abstract approach was one of the ways in which modernism reached pure abstraction, where forms do not evidence or do not have a real figurative referent.

Manuel Pereira da Silva was one of the pioneers of sculptural abstractionism in Portugal. His modernist work emerged in the early years of this movement in the country. He was part of the "independent" exhibitions, which played a key role in disseminating Portuguese abstract art. Through these exhibitions, Manuel Pereira da Silva and other artists such as Júlio Resende, Fernando Fernandes, Nadir Afonso, Arlindo Rocha and Mário Truta, among others, sought to break with established conventions and explore new forms of artistic expression.

In addition, Manuel Pereira da Silva work also extended to other areas, such as mural decoration and the integration of sculpture into buildings. He collaborated with architects, such as Carlos Neves, in the creation of murals and decorations in several cities, including Porto and the African territories colonized by Portugal. His works reflected the influences of the modern movement, which sought a more complete integration between architecture, art and design.

In the social context, Manuel Pereira da Silva was also an active and generous intervenor. He held important positions in the community, such as President of the City Council of Avintes, and contributed with his artistic work to various associations and civic movements in Avintes and nearby regions. His performance was recognized with honors, such as the Medal of Honor of the City Assembly of Avintes and the Gold Medal of Cultural Merit of the Municipality of Vila Nova de Gaia.

In summary, the work of Manuel Pereira da Silva represents a fusion between abstraction and human figuration, exploring geometric shapes and abstract formal criteria. His work was influenced by the artistic vanguards of the time and contributed to artistic renewal in Portugal. In addition, his role as a social worker demonstrates his commitment to the community and his generosity in sharing his artistic talent for the collective benefit.