Showing posts with label Ana Maria Preckler. Show all posts
Showing posts with label Ana Maria Preckler. Show all posts

Monday, November 08, 2010

Universal Art History of the XIX and XX century

The abstraction will definitely be the great achievement of the XX century sculpture. Abstract art, without any specific meaning, shaped in three dimensions, allowing your gaze total, around, in all its facets and perspectives, turning on its axis, allowing the sculpture will develop a variety of ways and possibilities, and full fruit - except for color, which will be replaced by the type of material, although in some cases the paint is applied to the sculpture as a termination. The abstract sculpture, very similar to the architectural modules of the XX century, but without the functionality and size, the scale is much smaller, space conquest also the basis of the combination of modules and elements predominantly geometric, with density, design and related volumes, concatenated, which will show the actual value solidified material, standing in a vacuum, denser air, settling in an allegorical space in the same way that the paint adheres to the tissue. It thus suggesting a sculpture full of strength and attraction, eminently tactile, woven with metallic materials, organic or inorganic.

In short, for Ana Maria Preckler, XX century sculpture, results rich and varied, a large fertility and creativity, following the vanguard found their own paths, such as abstraction, where you find and hold its majority, a total and absolute fulfillment.

The Second Half XX Century

The Abstract Sculpture

Abstraction was the great achievement of the XX century, movements that constituted the historical vanguards brought the greatest creation, originality, and artistic innovation, changing its structures, proceeding to the moral destruction of traditional art and his amazing reinvention. Starting from Impressionism, Neo-Impressionism and Post-Impressionism, which were the pillars upon which it is impressive artistic change, this set of avant-garde movements had to be shut down and formulated in Fauvism and its anti-conventional variety of colors in Cubism, and rupture of the fragmented reality; in Futurism, which shaped the sequence, the dynamics and movement, Expressionism, which had a print man's spirit, in Dada, who idolized the absurd and the object of desire; in Surrealism, who played the subconscious the pictorial way, and abstraction, which broke even more.

Louise Bourgeois (1911 -)

Coming from France, Louise Bourgeois is the North American nationality, a country that arrived in 1938. His artistic training happens in Paris, his birthplace, the Ecole du Louvre, The Academy of Fine Arts and The Academy Julian. He began his work in painting in the decade to reach the forty to sculpture, which unfolds his true vocation, acquiring great fame in his adopted country. His style evolved from the enlarged sculpture, with notes surreal, preferably in painted wood, up to inconcrets forms, anthropomorphic and reports on matters more solid as bronze and stone, which unleashes your imagination and fantasy. From its first production: Spring, 1946-48, bronze painted in white, enlargement and bulbous forms Sleeping Figure, 1950, wooden, primitive, semiabstract.

Richard Serra (1939 -)

Abstract sculptor North American close of minimal art by the grandeur of his compositions, which usually includes a sculpture in her surroundings, turning it into a part of the architecture or nature in which it lies. In its production, uses industrial materials, we highlight: Right Angle, 1969, his series of Prop, quadrangular lamina in vertical construction on the terrace of a wall in the center of which juxtaposes a tape at a right angle with rounded edges.

Max Bill (1908-1994)

Architect, abstract painter and sculptor Max Bill was born in Switzerland in Zurich and studied first at the School of Arts and Crafts, and shortly thereafter the German Bauhaus Dessau, where it relates to Gropius, Moholy-Nagy, Kandinsky, Klee and Albers, receiving his rationalist influence. It also has a relationship with the Dutch Neoplasticism by Mondrian and Vantongerloo, belonging to the group "Abstraction-Creation" of Paris, in which he focuses his entire artistic career to the constructivist geometric abstraction. It is considered a pioneer of abstract sculpture, performing with great freedom and without regard to rigid structural frameworks, using motion and curved line on some sculptures. In 1951 he obtained the Prize for Sculpture Biennial. Among his sculptures are: Endless Loop, 1947-49, corrugated tubular shape, simple and elegant.

Minimal Sculpture

Minimal Art was a form of sculptural and painterly geometric abstraction of such monumental despite their main condition of sculpture can enjoy themselves with their authors in the section of the Latest Trends in Contemporary Art in the general context of the painting, since these currents latest trends and extremes produces a differentiation between the sexes.

The Abstract Sculpture in Spain

As with abstract painting in Spain produces a real outbreak of sculptors in the chain, some of which may be termed extraordinary. Only Spain alone could fill the pages of the history of pictorial and sculptural abstraction, such is its richness, variety and originality, no wonder the principles Picassian Cubists were the origins of abstraction, but also the Hispanic print, the force of race, the fertile artistic streak Spanish accumulated over the centuries that shaped the early twentieth century, in virtually all styles and avant-garde, a distinctive art. Abstract sculpture in the second half of the century not just schools, only independent individual figures that stand out for themselves, and surprised by how many different shapes and styles that each of these artists can give a unique art as abstract as arid and austere at times.

Some of the most significant abstract sculptors of the generations that occur in the second half of the century, as a show of abstract sculpture of two types: the one corresponding to the first generation of abstract sculptors, artists were created in the first third of the century, and works in which matter However the following form and sculptural tradition, changing the nature of figurative to abstract, and the sculpture of the second generation, whose artisans are born in the second third of the century, in which matter is multiplied, and introducing new combinations of all sorts of elements (with abundance of organic material), and the way it expands in space, breaking the previous formal unity, sometimes doing architecture, sometimes air suspensions and other installations of great complexity whose pieces spread through soil, and some other inconcret morphologies of nature, pseudo-organic, a versatile and imaginative variety.

Enbil Jorge Oteiza (Orio, Gipuzkoa, 1908 - Donostia, Gipuzkoa, 2003) was a famous sculptor, designer, painter and writer Basque, born in the region of Navarra.

Modernist declared, in 1962 published the book Quosque tandem, which dealt with the prehistoric art in the Basque Country, during which much was inspired.

Of great importance to Spain and ultimately to the Basque Country, his works can be seen in the best museums of your country and Europe. The disarrangement of the space, for example, one of his best known works, is now exposed at the Museu Nacional Centro de Arte Reina Sofia.
At their inception, Oteiza makes figurative work in which one perceives the influence of Henry Moore, for his return from Spain introduces herself completely in the path of geometric abstraction, with a free personal creation, influenced by the Master of Suprematism, Malevich .

Palazuelo Pablo de la Peña (Madrid, 6th October 1916 - Galapagar, Madrid, 3 October 2007)

Palzuelo, another large abstract sculpture of geometric forms that his work of great beauty of line and modeling, in the most advanced of its kind and poetic. The clean geometric lines, elegant and soft, finely drawn, modernity and beauty of great design, the basic geometric forged steel plates in laminar, with angles, plans, sections and meetings of great simplicity and play of light and shade; blades gently curved and the modules in L; Interception of plans found are some of the predominant characteristics of his sculptural work.

Eduardo Chillida (San Sebastián, January 10, 1924 - San Sebastian, August 19, 2002) was one of the most famous sculptors and engravers Spanish modernists. Along with Jorge Oteiza, Chillida is considered the most prominent sculptor in the twentieth century.

The tradition of Pablo Picasso, after abandoning his studies, he entered into a drawing course and starts, finally, to carve iron.

In 1948 he moved to Paris, where he became friends with Pablo Palazuelo, who influenced him deeply in his career, giving him a taste for abstraction.

Chillida sculptural abstraction applies to maximum strength, strength, structure and free expression, and in contrast, the maximum beauty, delicacy and poetry, which has already done since their early days in their beautiful titles. Large structures Chillida, full of poise and strength, rise up as volumes in space of freedom, the embrace solidified with air. Its buildings, never rigid in form, always free and moved about linear design, the alternate geometric compositions of lines and curves, projecting into the void and changing all laws of gravity, with the boldness of the sculptor poet who in his desire to sublimate the material, make it light enough to skim the intangible. Chillida is one of the greatest sculptors abstract Hispanics, emerging only in his climb to the impossible, in his work has a lot of poetry, a poetry that could link with the German poet of the sublime and the impossible was Rainer Maria Rilke, and much of musicianship that he had composed another superb German, Bach, with which the sculptor is identified, as has much of the thinking, perhaps by her attraction to Goethe and Heidegger.

Earlier in his career he used materials like wood and iron. But when he begins to explore abstract art, begins to concern itself with the most diverse materials as stone and light.

Six years later held his first solo exhibition, this being the first show of abstract sculpture held in Spain. After this exhibition, is invited by architect Ramón Vázquez Molezún to participate in the Triennial of Art in Milan, Italy, receiving then the Diploma of Honor.

Participated in 1959 in the second Documenta in Kassel.

In the 1970s, Chillida is dedicated to observe nature in search of information about the shapes and colors of plants and inspiration, and since the 1980s, begins to reconcile his art with natural areas, and minority, urban.

In 1987, it is academic of the Royal Academy of Fine Arts of San Fernando and two years before his death, one realizes their dream, opening a museum dedicated to him, the Museo Chillida-Leku.